hot house (Concorde Jazz 2012)

21 de junio de 2013 § 1 comentario

CHICK COREA… semidiós, pianista y compositor, uno de mis referentes en la música de jazz. Le conocí a partir de su grupo Return to Forever (Stanley Clarke, Lenny White, Al Dimeola con Airto Moreira, Joe Farrell, Flora Purim…) q sonaba fuerte en la época en q me introducía en el panorama musical, allá por el año 1976 con MusicMagic o Romantic Warrior. En adelante llegué a enloquecer con temas como Fiesta o Spain. Ha cubierto con brillantez todo el espectro jazzístico desde lo clásico a la electrónica, pasando por las fusiones con brasil y latino para adentrarse en terrenos complejos como los dos pianos, las étnicas más duras o la música clásica de cámara. Es por esto q he decidido elevarle a la categoría de hito para representar este día de la música 2013. Nadie como él ha tenido una relación tan amplia, generosa y rica en intercambios con estilos diferentes, músicos y generaciones manteniéndose siempre en la vanguardia. Corea es varias veces dios y apóstol según q religión haya decidido profesar con maestros y discípulos aventajados, los más aventajados; enumerarlos sería largo, en realidad son la historia misma del jazz desde su primera participación relevante en la formación de Miles sustituyendo a Hancock hasta discazos con Gary Burton o Stefano Bollani de la más reciente actualidad. Su lista de premios y nominaciones es inacabable…

Destacaré “Mozart Goes Dancing” tema con el q ha obtenido un Grammy a la mejor composición instrumental en 2013. LISTEN!

corea hot

corea inner corea tones corea beholder corea now corea akoustic corea leprachian corea new trio corea peacecorea chamber corea liric suite corea elektric corea further Chick Corea has been one of the most significant jazzmen since the ’60s. Not content at any time to rest on his laurels, he has been involved in quite a few important musical projects, and his musical curiosity has never dimmed. A masterful pianist who, along with Herbie Hancock and Keith Jarrett, was one of the top stylists to emerge after Bill Evans and McCoy Tyner, Corea is also one of the few electric keyboardists to be quite individual and recognizable on synthesizers. In addition, he has composed several jazz standards, including “Spain,” “La Fiesta,” and “Windows.” Corea began playing piano when he was four and, early on, Horace Silver and Bud Powell were influences. He picked up important experience playing with the bands of Mongo Santamaria and Willie Bobo (1962-1963), Blue Mitchell (1964-1966), Herbie Mann, and Stan Getz. He made his recording debut as a leader with 1966’s Tones for Joan’s Bones, and his 1968 trio release (with Miroslav Vitous and Roy Haynes) Now He Sings, Now He Sobs is considered a classic. After a short stint with Sarah Vaughan, Corea joined Miles Davis as Herbie Hancock’s gradual replacement, staying with Davis during a very important transitional period (1968-1970). He was persuaded by the trumpeter to start playing electric piano, and was on such significant albums as Filles de Kilimanjaro, In a Silent Way, Bitches Brew, and Miles Davis at the Fillmore. When he left Davis, Corea at first chose to play avant-garde acoustic jazz in Circle, a quartet with Anthony Braxton, Dave Holland, and Barry Altschul. But at the end of 1971, he changed directions again. Leaving Circle, Corea played briefly with Stan Getz and then formed Return to Forever, which started out as a melodic Brazilian group with Stanley Clarke, Joe Farrell, Airto, and Flora Purim. Within a year, Corea (with Clarke, Bill Connors, and Lenny White) had changed Return to Forever into a pace-setting and high-powered fusion band; Al DiMeola took Connors’ place in 1974. While the music was rock-oriented, it still retained the improvisations of jazz, and Corea remained quite recognizable, even under the barrage of electronics. When RTF broke up in the late ’70s, Corea retained the name for some big-band dates with Clarke. During the next few years, he generally emphasized his acoustic playing and appeared in a wide variety of contexts; including separate duet tours with Gary Burton and Herbie Hancock, a quartet with Michael Brecker, trios with Miroslav Vitous and Roy Haynes, tributes to Thelonious Monk, and even some classical music.

 In 1985, Chick Corea formed a new fusion group, the Elektric Band, which eventually featured bassist John Patitucci, guitarist Frank Gambale, saxophonist Eric Marienthal, and drummer Dave Weckl. To balance out his music, he formed his Akoustic Trio with Patitucci and Weckl a few years later. When Patitucci went out on his own in the early ’90s, the personnel changed, but Corea continued leading stimulating groups (including a quartet with Patitucci and Bob Berg). During 1996-1997, Corea toured with an all-star quintet (including Kenny Garrett and Wallace Roney) that played modern versions of Bud Powell and Thelonious Monk compositions. He remains an important force in modern jazz, and every phase of his development has been well-documented on records.
Corea began the 21st century by releasing a pair of solo piano records, Solo Piano: Originals and Solo Piano: Standards, in 2000, followed by Past, Present & Futures in 2001. Rendezvous in New York appeared in 2003, followed by To the Stars in 2004. The Ultimate Adventure was released in 2006. That same year, Corea released Super Trio with drummer Steve Gadd and bassist Christian McBride. In the spring of 2007, Corea released an unlikely but ultimately satisfying duet album with banjo master Béla Fleck entitled The Enchantment on Concord, followed by a Universal Japan-only six-disc box set called Five Trios in 2008 that showcased the pianist in a handful of different trio settings. The same year, Corea and vibraphonist Gary Burton released their fourth offering together, entitled The New Crystal Silence.
The year 2008 was a busy one for Corea. He and John McLaughlin got together for the first time since they both played on Miles Davis’ seminal Bitches Brew album. They pulled together a band with saxophonist Kenny Garrett, drummer Vinnie Colaiuta, and bassist Christian McBride for the recording Five Peace Band: Live (with another formerMiles collaborator, Herbie Hancock, guesting on “In a Silent Way/It’s About That Time”). Concord re-released Return to Forever’s four albums issued between 1973 and 1976 (with Corea, White, Clarke, and DiMeola) — Hymn of the Seventh Galaxy, Where Have I Known You Before, No Mystery, and Romantic Warrior — as a precursor for a reunion tour. This resulted in both a live album entitled Returns, and a concert DVD. In 2009, Coreateamed with Japanese piano sensation Hiromi for Duet, followed by a live trio album entitled Foreverwith Clarke and White, culled from their “RTF Unplugged” tour. The two-disc set, issued by Concord in 2011, featured guest appearances by Chaka Khan, original RTF guitarist Connors, and violinist Jean-Luc Ponty. In 2012, Corea was busy from the start. He delivered a trio recording on Concord in January entitled Further Explorations; his sidemen were Eddie Gomez and Paul Motian (both members of various Evans’ ensembles). Corea: The Continents Concerto for Jazz Quintet and Chamber Orchestra was issued by Deutsche Grammophone in February. In September, another duet recording with Burton, Hot House, was released by Concord.
El premio EJQNU queda desierto. Nadie ha sabido decir (de momento) el nombre del disco…

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§ Una respuesta a hot house (Concorde Jazz 2012)

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