Paquito “BURN”

11 de febrero de 2017 § Deja un comentario

… vaya pedazo de grabación. Para “gosar” de su tremendo valor compositivo y musical. Gigantesco “a lo Tristano”, con George Coleman, John Hicks, Rufus Reid e Ignacio Berroa. COLUMBIA 1987. Sant Esperit Chapelle (Sierra Calderona)

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Alain Pérez / Julio Montalvo & The Cuban Collective

26 de diciembre de 2013 § Deja un comentario

Do it (Concorde 2006)

27 de mayo de 2012 § Deja un comentario

PONCHO SANCHEZ percusionista-conguero para abrir, en domingo, un nuevo palo… el de la música latina_Latin Jazz. Empezar, pegando fuerte con este peso pesado, una de mis columnas latinas y rey absoluto del panorama afro-cubano de todos los tiempos. Ha trabajado con todos; de los suyos y de los otros… Jazz Crusaders, Eddie Harris, Freddie Hubbard, Tito Puente, Mongo Santamaria, Cal Tjader, Dianne Reeves, Joey DeFrancesco, Terence Blanchard… La primera vez le escuché en su disco La Familia… me dejó K.O. y desde entonces soy fiel devoto de su congas. Destacaré “El Conguero” en honor a esa “primera vez” y “tin tin deo” del disco seleccionado de la entrada. LISTEN!

poncho do it

… otros discos de mi colección particular


poncho conguero poncho fuerte poncho gato poncho sonando poncho afrocuban poncho latin poncho out poncho raise poncho soul poncho spirit

… su último trabajo

poncho chano

The imaginative rhythms of Poncho Sanchez have made him one of the most influential conga players and percussionists in Afro-Cuban jazz. In addition to recording as a soloist, Sanchez has been featured on albums by the Jazz Crusaders, Eddie Harris, Freddie Hubbard, Tito Puente, Mongo Santamaria, Dianne Reeves, Joey DeFrancesco, andTerence Blanchard. Becoming a member of vibraphonist Caj Tjader’s Band in 1975, Sanchez remained with the group until Tjader’s death on May 5, 1982. By then, he had already planted the seeds for his own career as a bandleader. He recorded two solo albums — Poncho in 1979 and Straight Ahead in 1980 — and began performing with his own group in 1980, during Tjader’s vacations. A native of Laredo, Texas, Sanchez moved to Los Angeles at the age of four, where he was deeply influenced by the music he heard in the Chicano neighborhood in which he lived. Initially a guitarist, he played with a series of junior high school and high school rhythm & blues bands. Teaching himself to play congas, he spent hours practicing to Caj Tjader, Machito, andTito Puente records. He was also deeply influenced by the hard bop sounds of the Jazz Crusaders. After more than two decades in music, Sanchez’s efforts paid off when his album, Latin Soul, received a Grammy award as Best Latin Album of 1999. Throughout the next decade, Sanchez continued to record, releasing such albums as 2000’s Soul of the Conga, 2001’s Latin Spirits, 2003’s Out of Sight!, 2005’s Do It!, 2007’s Raise Your Hand, and 2009’s hard bop-influenced Psychedelic Blues. In 2011, he paid tribute to the innovative Afro-Cuban recordings of Dizzy Gillespie and Chano Pozo by teaming up with trumpeter Terence Blanchard for Chano y Dizzy! Sanchez followed it up with a concert set entitled withLive in Hollywood, with his Latin Jazz Band.

 

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Actualmente estás explorando la categoría LATIN en El Jazz que nos une.

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